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Ecuador ivory Coronation of Virgin

CORONATION OF THE VIRGIN
Quito, Ecuador, 18th Century
One interior view of a pair of bas-relief ivory carvings in semi-spheres, the other depicting the Assumption of the Virgin
Diameter: 2 2/3 inches (7 cm)

The presidency of New Granada, as named in the sixteenth-century by the conquistador Gonzalo Jimenez de Quesada, evolved into Viceroyalty of New Granada, which included present-day Colombia, Panama (after 1751), Venezuela, and Ecuador. It was created in 1717–23 and reconstituted in 1740.

Quito, Ecuador was one of its centers of artistic activity, and the sculptors of Quito are renowned, even today.

We are highlighting two examples of a particular Quiteño genre; small carvings in open ivory spheres. This type of carving was influenced both by portable ivory carvings from Asia that were traded and moved to the New World via the Manila Galleons (primarily through Mexico), and through small-scale carvings from Northern Europe, like rosary beads.

These portable carvings have found their way to some prominent museum collections, like that of the Victoria & Albert Museum, London; the Prado, Madrid; the Bargello, Florence. Most often the carvings depict scenes from the life of the Virgin or of Christ (see the example above). The example below is more unusual. In two scenes from the Old Testament, the heroine Judith beheads Holofernes, and then her maid takes away the head in a bag, to hide it.

 

Ecuador ivory Judith/Holofernes

JUDITH BEHEADING HOLOFERNES;
JUDITH'S MAID HIDING THE HEAD OF HOLOFERNES

Quito, Ecuador, 18th Century
Bas-relief ivory carvings in two semi-spheres; decorative diamond patterns on the exterior
Diameter: 2 5/16 inches (5.8cm)


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